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Professional songwriters can generate many different sources of income from their songs in the same way an author creates additional income turning a novel into a movie, TV series, or graphic novel. It doesn’t matter whether your song has gathered a million plays or just a handful of listens — you can still put your compositions to work for you to generate more revenue. All it takes is a little creativity and a sense of adventure.

When Jack white began his solo career, he began to use blues and blacks to signify his softer approach to music — perhaps even a bit of a “cold” effect that would play into his new character — and most of all, that a new chapter in his career had begun.

However, from an opposing perspective, we could also raise the following question: What’s the point of building technological tools that merely mimic what we’d otherwise be able to do manually, or at least through existing musical technology (i.e., instruments)? Instead we should be pushing the envelope and introducing tools into our learning practice that expand our potential for expression and leave preconceived boundaries behind. Or, we should be looking to change our educational curriculums to incorporate software that opens up new worlds for students to dive into.

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Odds are you’ve probably never had to complete one until now, and that alone could make your head spin (I know mine did). Fortunately, it’s not as complicated as it sounds. They just want to see any expenses you paid out of pocket while working. As a songwriter, this may include things like gas or mileage (getting to and from a co-write), maybe music editing software or notepads, guitar strings, etc. (If you’re keeping good tax records, this shouldn’t prove too tough a chore).

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested to dive deep into a topic covered by one of our songwriting and arranging courses, like Unlocking the Emotional Power of Chords, Orchestration for Strings, or The Creative Power of Advanced Harmony, or to work with a Soundfly Mentor directly, without a course, to achieve a specific goal, we can help you get there.

One San Juan bar and music venue, however, has transformed itself into an oasis of help and support. El Local has been a boon to the area’s independent music and art scene for years, but now they’re also a resource for people in need: They’re serving meals in a volunteer-run community kitchen, open from morning until evening and closing up just before the government-instated 9:00 p.m. curfew. A food bank filled with mostly non-perishables is continually replenished by donations.

Because of this, soundproofing is an important aspect of any home recording setup. In this article, I’ll run through some inexpensive soundproofing hacks that my bandmate uses in his home studio that you can try for yours. But first, let’s go over a few things.

Improvising on an instrument isn’t hard once you have a level of technical fluency. You can play whatever notes you want in whatever order you want to play them, with whatever tone and attack. Scratching is more limited. The music in the recording is set already, it’s in the order that it’s in, and it sounds how it sounds. Any expressive moves you make have to make sense in relation to what’s happening in the recording.

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If two signals that are mirror-images of one another are combined, they attenuate each other. This is often called “phase cancellation” (which in truth is a bit imprecise, but will do for now). You can demonstrate this cancellation easily in your DAW by bringing up two identical tracks and then flipping the phase of one by hitting the polarity switch, usually rendered with a symbol resembling “Ø.”

I recommend getting a professional coach with some years of experience, who you respect as a musician, and who you admire as a singer (I’m simply describing my own vocal coach here).

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

The fun part of this feature is that it allows you to do a little experimenting, and the real-time data analytics will help you formulate hypotheses and conclusions based on your results.

Welcome back to our interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. Join our weekly email newsletter to get more insights like this into how professional artists are making music and how you can apply those lessons to your own music.