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Professional songwriters can generate many different sources of income from their songs in the same way an author creates additional income turning a novel into a movie, TV series, or graphic novel. It doesn’t matter whether your song has gathered a million plays or just a handful of listens — you can still put your compositions to work for you to generate more revenue. All it takes is a little creativity and a sense of adventure.

Imagine you have a synth bass line that’s a combination of a sine and a saw wave instrument. You like the vibe, but when you turn them both up you aren’t feeling the fatness. That’s likely because the low frequencies of the combined signal are suffering from destructive interference.

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According to the Ed Sullivan website, the popular host struck a handshake deal with Beatles manager Brian Epstein for, rather than a one-time appearance, a three-time opener/closer appearance. This offered exposure to over 23 million American homes on that very first performance, and thus, the ensuing Beatlemania took the United States by storm.

I tend to use a faster attack, but I’m not crushing those transients with a ton of compression, so I still keep the dynamics in my mix. If I found I was killing the transients too much and there was no excitement in my mix, I would probably make it a slower attack setting.

Okay all this is super cool, but the thing is that Björk says, “first and foremost, Biophilia, is an album”. No matter how we view the creation and dissemination of the album and its concepts, it is true that Biophilia, like Magna Carta Holy Grail, is fundamentally available as a mass-produced musical product. The ingenuity and approach that went into these albums may end up influencing as many people as, say, Sgt. Peppers or Metal Machine Music, or Graceland, but they are all in the same family.

Now, if we apply the same reasoning to all the other modes, we would see that the differences between the modes and their respective Major or Minor counterparts is often only one note (with one exception, which we will see shortly).

If you’re an indie touring musician who’s used to a certain type of environment, and you still need some convincing, here are six great reasons why you should play more house shows.

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With the help of a few super clever musicians, I came up with some ideas to alleviate these latter issues. In this article, I would like to suggest alternative ways of thinking about singing, and how to take practical steps in kicking your insecurities to the curb. Let’s go.

These days, the concept of a mailing list may seem antiquated and, to an extent, it is. Everyone with an inbox gets bombarded with offers and unsolicited invites each and every day — most of which are promptly deleted without even a glance. Still, despite the high chance that most of your newsletters are going to be deleted, it is worthwhile to get everyone’s emails at your show for a couple of reasons:

Yesterday, we launched a new version of the app, the Theory aQWERTYon. It visualizes the notes you’re playing on the chromatic circle in real time. Click the image to try it! (Be sure to whitelist it on your ad blocker or it won’t work.)

That’s really what touring with your band is all about; the opportunity to get out there and do what you love in front of the people that love seeing it. It helps to know that when you arrive in a new city, there will already be a live music crowd ready to greet you with open arms. And some of the most vibrant, bustling music scenes — with great venues, great young bands, and audiences constantly looking for a good time out — exist in places with a few universities nearby.

Firstly, the consensus among considerable and devoted fans of the group is that the Roland SH-101, Yamaha AN1x, and the Akai S1000 are the most likely hardware cornerstones of the pair’s sound. Beyond reliance on these units to generate sound, the recording platforms are also key.